Bullion's 'Nearly' Builds Quiet Pop From Space and Reverb
London producer Nathan Jenkins follows Affection with an album defined by restraint and delicate arrangements. Nearly uses plucked guitars, keys, minimal percussion, and long reverb tails to create a spacious sophisti-pop sound. The review describes it as more minimal than its predecessor while still filled with graceful pop compositions.
Nathan Jenkins, the London-based artist known as Bullion, released Nearly in 2026 through Ghostly International. It follows his 2024 album Affection, described as his most pop-oriented Bullion project. Jude Noel reviewed it on September 28, 2026, classifying it as electronic.
The record favors sparse instrumentation: plucked guitars, keyboards, little or no percussion, and extended reverb. Most songs run about three minutes. Compared with Affection, Nearly is quieter and more spacious, though still built around graceful pop writing. "Young Shiver" exemplifies its patient, tension-building approach.
Nearly may appeal to listeners seeking calm, detailed electronic pop. Its restrained arrangements could encourage producers to prioritize texture and space over dense hooks. Critics and fans of Bullion’s earlier work may reassess his pop trajectory. Because it is niche, broad societal impact may be limited; its influence could surface in mood-driven playlists, study and relaxation listening, and future sophisti-pop production.