Why Greta Gerwig’s Narnia Should Begin With The Magician’s Nephew
The article makes the case that Greta Gerwig’s Narnia film is wise to adapt The Magician’s Nephew first, since it depicts the creation of Narnia and the origins of its villain. It explains that Digory and Polly’s adventure precedes Lucy’s discovery of the wardrobe and shows a living world before the White Witch’s rule. Beginning at that earlier point, the piece argues, can make later Narnia stories resonate more deeply.
Greta Gerwig’s Narnia film draws on The Magician’s Nephew, the sixth book published but first in chronological order. Its London neighbors, Digory and Polly, enter magic through his uncle’s ring; Digory follows Polly, reaches a deserted palace, and awakens a dangerous queen by ringing a bell.
The story also places Digory’s dying mother beside Narnia’s birth. After Aslan creates the world, Digory must retrieve an apple while Jadis urges him to take it home instead. He returns it, and Aslan later provides fruit that cures his mother. Earlier Narnia films never adapted this book.
This choice could affect how audiences, especially newcomers and longtime Narnia readers, experience the franchise. By starting with Narnia’s creation and the White Witch’s origins, the film may make later installments feel more emotionally connected and accessible. Families and younger viewers might find Digory’s concern for his mother a relatable entry point, while fans could gain a clearer chronological framework for discussing the series.